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Short fiction Award winning story by Alex Burger .. There are a few things I don't get. For one, all this food: berries in winter and the reddish shine of fish that must come from waters far away. I would like to taste one though. And then there are the shoes, heels that look like slivers of rock, delicate silvery bands. I see them all from my window. I remember when shoes were made only of leather, we even stuffed them with moss. That was what we knew. You can hear me? This is odd. I'm used to talking to myself. I'm not sure if you can, but I'll keep talking. Maybe you hear, God, maybe things are changing. I've been here a very long time, but I already said that. My daddy was a gin bootlegger, one of the first in the area. I mean he started out legit. People thought he was a magician. All they'd ever had was ale, and when this new liquid appeared, smooth as water and strong as ox - they drunk like fishes whose gills burned in the sooty air. This neighborhood was a mess, but you wouldn't know it now. People were dying everywhere of fumes, of plague, the water brown, dead rats and cats rotting in the street. Hugo's leather tannery was just round the corner, you could smell the vats and they'd empty the dyes round back, dark liquid mixing with the dirt and shit, making its way down the cobblestones. The mills were just down the road, the workers going deaf, arms caught in machinery, hundreds worked there 'til the place burned, chocked with bodies charred black. So we set up our shop as a haven to eat and drink. We'd paint the meat with fresh blood when it got too old, anything to keep the place enticing. Our customers were all the poor sops who came down here to work. At the end of their shifts, they'd spill out, caught in the caressing hands of the women who waited for them. The clear gin would calm, help them forget, sooth aching bones and spirits. The women would lure with the promise of touching soft flesh, being inside somewhere human. I grew up here. I learned to watch the signs: first a simple sore on the lips, then a rash and ulcers, pulling clothes trying to hide the wounds, then the madness, they'd wander, naked, cry out. I took over my daddy's business, I think that's where it all went wrong. They started to crack down. The gin act of 1751, you heard of it? They tried to make our lives illegal, blamed us for all kinds of things. Well eventually it caught up with me and they locked me up here. I was here 'til it burned down and then something happened. I don't know what exactly. It's like the place is gone, but I'm still here, in the same cell I used to be. Everything else moved on, and I'm a remnant, I don't know why. You could help, you know that. But maybe you know too much about forgetting. I know your life is different. I just get glimpses, but I can piece together how it must be. I can smell the fresh air of spring coming off the river, I watch whole families zoom in cars, your doors and windows closed. You live lives of containment, you balance on a cobblestone street on the finest heel of a shoe. These buildings used to stink, sweat, carry the grime of disease in their mortar, but you've washed them clean. Built glass buildings, new kinds of lights. You've made your own sun. Our vices and trials must now seem so crude. Painted over rotten meat, sewers in the street, death lurking like rowdy school children ready to pounce. Your vices are quiet. Viruses that travel softly in the air, the spills washed quickly down drainpipes to lakes unseen, the silences of each person locked in his or her house, guarded tight against the rain or sun or cold or warmth or feeling too much. You die alone, at least we died in each others arms. You could help you know. Maybe this is a sign, now that you can hear me. Maybe I can be released. I may be kin to some of you, I had two daughters, they lived right here. I may be in your blood. We're not so different really. Hell, I watch you come in the mornings, streaming to work. Then I see you in pubs after work, falling drunk and high in the street. You die in your houses, have your own plagues, but it's the same death, just hidden away. At least we faced ours straight on. I just want out of here. Please see me, tell me you can hear me. I am a part of you; I'm not so far away. I may speak in tongues of men and demons but I know you recognize my voice. Through a glass, darkly, but now face to face. Will you see me? Will you release these ghosts? submitted by: Alex Burger There are a few things I don’t get. For one, all this food: berries in winter and the reddish shine of fish that must come from waters far away. I would like to taste one though. And then there are the shoes, heels that look like slivers of rock, delicate silvery bands. I see them all from my window. I remember when shoes were made only of leather, we even stuffed them with moss. That was what we knew. July 28 in literatureYou can hear me? This is odd. I’m used to talking to myself. I’m not sure if you can, but I’ll keep talking. Maybe you hear, God, maybe things are changing. I’ve been here a very long time, but I already said that. My daddy was a gin bootlegger, one of the first in the area. I mean he started out legit. People thought he was a magician. All they’d ever had was ale, and when this new liquid appeared, smooth as water and strong as ox — they drunk like fishes whose gills burned in the sooty air. This neighborhood was a mess, but you wouldn’t know it now. People were dying everywhere of fumes, of plague, the water brown, dead rats and cats rotting in the street. Hugo’s leather tannery was just round the corner, you could smell the vats and they’d empty the dyes round back, dark liquid mixing with the dirt and shit, making its way down the cobblestones. The mills were just down the road, the workers going deaf, arms caught in machinery, hundreds worked there ‘til the place burned, chocked with bodies charred black. So we set up our shop as a haven to eat and drink. We’d paint the meat with fresh blood when it got too old, anything to keep the place enticing. Our customers were all the poor sops who came down here to work. At the end of their shifts, they’d spill out, caught in the caressing hands of the women who waited for them. The clear gin would calm, help them forget, sooth aching bones and spirits. The women would lure with the promise of touching soft flesh, being inside somewhere human. I grew up here. I learned to watch the signs: first a simple sore on the lips, then a rash and ulcers, pulling clothes trying to hide the wounds, then the madness, they’d wander, naked, cry out. I took over my daddy’s business, I think that’s where it all went wrong. They started to crack down. The gin act of 1751, you heard of it? They tried to make our lives illegal, blamed us for all kinds of things. Well eventually it caught up with me and they locked me up here. I was here ‘til it burned down and then something happened. I don’t know what exactly. It’s like the place is gone, but I’m still here, in the same cell I used to be. Everything else moved on, and I’m a remnant, I don’t know why. You could help, you know that. But maybe you know too much about forgetting. I know your life is different. I just get glimpses, but I can piece together how it must be. I can smell the fresh air of spring coming off the river, I watch whole families zoom in cars, your doors and windows closed. You live lives of containment, you balance on a cobblestone street on the finest heel of a shoe. These buildings used to stink, sweat, carry the grime of disease in their mortar, but you’ve washed them clean. Built glass buildings, new kinds of lights. You’ve made your own sun. Our vices and trials must now seem so crude. Painted over rotten meat, sewers in the street, death lurking like rowdy school children ready to pounce. Your vices are quiet. Viruses that travel softly in the air, the spills washed quickly down drainpipes to lakes unseen, the silences of each person locked in his or her house, guarded tight against the rain or sun or cold or warmth or feeling too much. You die alone, at least we died in each others arms. You could help you know. Maybe this is a sign, now that you can hear me. Maybe I can be released. I may be kin to some of you, I had two daughters, they lived right here. I may be in your blood. We’re not so different really. Hell, I watch you come in the mornings, streaming to work. Then I see you in pubs after work, falling drunk and high in the street. You die in your houses, have your own plagues, but it’s the same death, just hidden away. At least we faced ours straight on. I just want out of here. Please see me, tell me you can hear me. I am a part of you; I’m not so far away. I may speak in tongues of men and demons but I know you recognize my voice. Through a glass, darkly, but now face to face. Will you see me? Will you release these ghosts? submitted by: Alex Burger London: Through a Glass Darkly, by Alex Burger wins London Fringe Short Fiction Award 2009 Andrew Blackman congratulating Alex, who wins a £200 Gift Voucher from Waterstones.2nd Prize: "Perspective" by Annabel Banks 3rd Prize: "The Grand Union" by Esther Madden Commended: "Chasing Dragons Underground" and "To Be Like You". Thanks to Josie Collins who organised the competition, and to the Old Operating Theatre for the incredible venue, and to the Times Literary Supplement who also supported this award. Shortlisted stories here. July 25 in literature London Fringe Short Fiction Award winner to be announced today, Old Operating Theatre, 1 pm A Waterstones £200 Gift Voucher will be presented today to the winner of the London Fringe Short Fiction Award 2009 at the Old Operating Theatre. Shortlisted stories here. July 24 in literature Reading shortlisted stories in the Old Operating Theatre today, on again Friday, July 24, 1 pm Hear London Fringe Short Fiction Award shortlisted authors read their stories in the Old Operating Theatre Thursday and Friday, 1 pm, Free Shortlisted stories and their authors: Adnan Sarwar, Alex Burger, Anna May Mangan, Annabel Banks, Beryl Morgan, Emily Bullock, Emma Larkins, Emma Ruth Benson, Esther Madden, HC Victory-Maines, Janine Amos, Julia Lampshire, Katie Jackson, Lawson Blacklock, Will Nero Story Reading Performances at 1 pm, July 23, 24 at the Old Operating Theatre.
Waterstones £200 Gift Voucher to the winner of the London Fringe Short Fiction Award, theme: London, Glamour and Grime London is an extraordinary place to live in. It has, and continues to inspire, countless stories from the very best writers. We're running a competition to find the best writers among you. We are looking for fictional stories, no more than a 1000 words, that are inspired by: London, Glamour and Grime more July 20 in literature London Short Fiction Award: London, Glamour and Grime London is an extraordinary place to live in. It has, and continues to inspire, countless stories from the very best writers. We're running a competition to find the best writers among you. We are looking for fictional stories, no more than a 1000 words, that are inspired by: London, Glamour and Grime There will be Reading Performance of the shortlisted entries at the Old Operating Theatre. All shortlisted writers will be invited to read their stories at the Old Operating Theatre, and to the Festival Wrap Party on July 25 at the Roxy Bar and Screen. The Times Literary Supplement are supporting this competition. And Andrew Blackman, has kindly agreed to be the judge. July 01 in literature Andrew Blackman to judge Story Writing Competition: London, Glamour and Grime Andrew's debut novel, On the Holloway Road (Legend Press, February 2009), won the Luke Bitmead Writers' Bursary and was shortlisted for the Dundee International Book Prize. It tells the story of two young Londoners who, inspired by Jack Kerouac's Beat classic On the Road, embark on a similar search for meaning and freedom in modern-day Britain. Andrew's site. More on the competition June 12 in literature London's Best Short Story Award - Short Story Writing Competition London is an extraordinary place to live in. It has, and continues to inspire, countless stories from the very best writers. We're running a competition to find the best writers among you. And it's free. We are looking for fictional stories, no more than a 1000 words, that are inspired by the Glamour and Grime that is London. There will be Reading Performance of the shortlisted entries at the Old Operating Theatre on July 20, 21, 22 and 23, at 6 pm. All shortlisted entries will be invited to the Festival Wrap Party on July 25 at the Roxy Bar and Screen. More June 09 in literature Story Writing Competition: London, Glamour and Grime London is an extraordinary place to live in. We are looking for fictional stories, no more than a 1000 words, that are inspired by: London, Glamour and Grime. This ties in nicely with the Photography Competition based on the same idea. There will be Reading Performance of the shortlisted entries at the Old Operating Theatre. The Times Literary Supplement are supporting this competition. We should be launching this competition in the Festival Club on June 16. June 08 in literature |
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RT @LondonFestival: New blog post: IPhone application in development .. http://bit.ly/4Fx2Ww iphone_jedi July 31 @LondonFestival looking forward to see you tonight 7.30 pm ThinkSync Films Screening at the Roxy Bar & Screen, SE1 petite_a July 29 @LondonFestival why islington it should be in LB we have the Roxy and shortwave cinemas? quinbisset July 27 |
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| Times Saturday review: "It seems there is nothing not being attempted during the ambitious, two-week run of the first London Bridge Festival, a would-be attempt at the capital's version of the Edinburgh Fringe. Comedy, film, art, dance, music - you name it, it's happening. That might suggest that the quality control knob has been torn off and tossed into the Thames - happily, it hasn't. Drawing heavily on the historic locale, there will be plays at the Rose Theatre, Bankside (home to early works by Shakespeare and Marlowe), the Southwark Playhouse, and the wonderful Old Operating Theatre, a museum that does what it says on the tin, housing the oldest operating Theatre in London. It's well worth getting along to see something as well as the shows, the locations are a knockout. Various venues, London Bridge. " |
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